Juxtapoz Magazine – Adam Lupton’s “Soliloquy”
His show is down now after being up at Galerie Russi Klenner in Berlin this past fall, but wow, did…
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His show is down now after being up at Galerie Russi Klenner in Berlin this past fall, but wow, did…
Audience engagement is never an afterthought for Indian artist Jitish Kallat, who often plays with participatory and public art in…
When does a cherished object cross the line into burdensome excess? How can we attempt to enjoy our lives when…
Artist Carol Cole Levin has donated over 270 artworks by more than 140 artists — including herself — to the…
In his new body of work Moving Landscapes at Victoria Miro in London, the Brooklyn-based Jules de Balincourt continues his…
Textiles become prints and prints become textiles in Line & Thread, a new exhibition at the New York Public Library’s…
Rebecca Ness has long been one of our favorite figurative painters of the last 10 years, and we have had…
In his 2022 book Model Minority Masochism, scholar Takeo Rivera argued that the influx of Asian immigrants to the United…
Charlie Roberts has always teetered on a sort of surrealism that felt very much his own. And now, in Alien…
On view now at the Milwaukee Art Museum, Robert Longo: The Acceleration of History features the ambitiously scaled, hyperrealistic charcoal…
Moskowitz Bayse is pleased to present Message Received, an exhibition of new paintings and works on paper by Eleanor Swordy. This…
We really thought we’d seen it all in the final weeks leading up to a historic presidential election — that…
Charles Moffett is pleased to present The Provocateurs, the first New York solo exhibition for Kenosha, Wisconsin-based artist Keith Jackson. This marks…
The much-despised and desired banana that split the art world is headed to the auction block next month, where it’s…
If you were to read Juxtapoz.com over the last few months, you will know that I have been harping on…
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