Can Genius Be Taught? The Polgár Sisters and the Experiment That Put the Question to the Test

Can Genius Be Taught? The Polgár Sisters and the Experiment That Put the Question to the Test


As any new par­ent soon finds out, there exists a robust mar­ket for prod­ucts, ser­vices, and media that promise to boost a child’s intel­li­gence. Some of these offer­ings come as close as legal­ly pos­si­ble to hold­ing out the promise of putting any tot on the path to genius, brazen­ly beg­ging the ques­tion of whether it’s pos­si­ble to raise a genius in the first place. Still, the efforts par­ents have delib­er­ate­ly made in that direc­tion have occa­sion­al­ly pro­duced notable results, from epochal fig­ures like Mozart or John Stu­art Mill to the promis­ing-math­e­mati­cian-turned-street­car-trans­fer-obsessed-recluse William Sidis. More recent­ly came the Pol­gár sis­ters, who were suc­cess­ful­ly raised to become some of the great­est female chess play­ers in his­to­ry.

Hav­ing stud­ied the nature of intel­li­gence at uni­ver­si­ty, their father Lás­zló got it in his head that, since most genius­es start­ed learn­ing their sub­jects inten­sive­ly and ear­ly, par­ents could cul­ti­vate genius-lev­el per­for­mance in their chil­dren by direct­ing that learn­ing process them­selves. He sought out a wife both intel­lec­tu­al­ly promis­ing and will­ing to devote her­self to test­ing this hypoth­e­sis. Togeth­er they went on to father three daugh­ters, putting them through a rig­or­ous, cus­tom-made edu­ca­tion ori­ent­ed toward chess mas­tery. Chess became the pro­jec­t’s cen­tral sub­ject in large part because of its sheer objec­tiv­i­ty, all the bet­ter for Lás­zló Pol­gár to mea­sure the results of this domes­tic exper­i­ment.

Nor could it have hurt, giv­en the impor­tance of retain­ing the inter­est of chil­dren, that chess was a game — and one with evoca­tive toy-like pieces — that offers imme­di­ate feed­back and feel­ings of accom­plish­ment. For his daugh­ters, Pol­gár has empha­sized, learn­ing involved none of the drudgery and busy­work of school. “A child does not like only play: for them it is also enjoy­able to acquire infor­ma­tion and solve prob­lems,” he writes in his book Raise a Genius! “A child’s work can also be enjoy­able; so can learn­ing, if it is suf­fi­cient­ly moti­vat­ing, and if it means a con­stant sup­ply of prob­lems to solve that are appro­pri­ate for the lev­el of the child’s needs. A child does not need play sep­a­rate from work, but mean­ing­ful action.”

The proof of Pol­gár’s the­o­ries is in the pud­ding — or at any rate, in the rat­ings. All three of his daugh­ters became elite chess play­ers. Sofia, the mid­dle one, became the sixth-strongest female play­er in the world; Susan, the eldest, the top-ranked female play­er in the world; Judit, the youngest, the strongest female chess play­er of all time. This despite the fact that their father was an unex­cep­tion­al chess play­er, and their moth­er not a chess play­er at all. Some eager­ly take the sto­ry of the Pol­gár sis­ters as a vin­di­ca­tion of nur­ture over nature; oth­ers, sci­en­tif­ic researchers includ­ed, argue that it only shows that prac­tice is a nec­es­sary con­di­tion for this kind of genius, not a suf­fi­cient one. For my part, hav­ing kept an eye on a pair of infant twins while writ­ing this, I’d be hap­py if my own kids could just mas­ter hold­ing on to their bot­tles.

Relat­ed con­tent:

Learn How to Play Chess Online: Free Chess Lessons for Begin­ners, Inter­me­di­ate Play­ers & Beyond

Meet Alma Deutsch­er, the Clas­si­cal Music Prodi­gy: Watch Her Per­for­mances from Age 6 to 14

The Mag­ic of Chess: Kids Share Their Unin­hib­it­ed, Philo­soph­i­cal Insights about the Ben­e­fits of Chess

Hear the Pieces Mozart Com­posed When He Was Only 5 Years Old

Read an 18th-Cen­tu­ry Eye­wit­ness Account of 8‑Year-Old Mozart’s Extra­or­di­nary Musi­cal Skills

The Renewed Pop­u­lar­i­ty of Chess and The Queen’s Gam­bit: Pret­ty Much Pop Cul­ture Pod­cast Dis­cus­sion #78 with Chess Expert J. J. Lang

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.



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