Explore Frank Lloyd Wright’s Iconic Houses Through Eight Short Documentaries

Explore Frank Lloyd Wright’s Iconic Houses Through Eight Short Documentaries


https://www.youtube.com/watch?v=playlist

Look up the word archi­tec­ture in the dic­tio­nary, and though you won’t actu­al­ly find a pic­ture of Frank Lloyd Wright, it may feel as if you should. Or at least it will feel that way if you’re look­ing in an Amer­i­can dic­tio­nary, giv­en that Wright has been regard­ed as the per­son­i­fi­ca­tion of Amer­i­can archi­tec­ture longer than any of us have been alive. Exact­ly when he gained that sta­tus isn’t easy to pin down. Like all archi­tects, he began his career unknown; only lat­er did even his ear­ly solo works from around the turn of the twen­ti­eth cen­tu­ry, like his pri­vate home and stu­dio and the Uni­ty Tem­ple, both in Oak Park, Illi­nois, become sites of pil­grim­age. By 1935, how­ev­er, Wright’s name had long since been inter­na­tion­al­ly made — and unmade.

For­tu­nate­ly for him, that was the year he designed the Edgar J. Kauf­mann Sr. House, bet­ter known as Falling­wa­ter, which is now wide­ly con­sid­ered his mas­ter­piece. Nat­u­ral­ly, Falling­wa­ter appears in one of the videos includ­ed in the playlist of short doc­u­men­taries on Wright’s hous­es from Archi­tec­tur­al Digest at the top of the post.

It could hard­ly have been oth­er­wise; near­ly as unig­nor­able are his Ari­zona home and stu­dio Tal­iesin West and his much-filmed Maya revival Ennis House in Los Ange­les. Through these videos, you can also get tours of his less­er-known works like Toy Hill House in Pleas­antville, New York; Tir­ran­na in New Canaan, Con­necti­cut; and the Cir­cu­lar Sun House in Phoenix, Ari­zona, his final real­ized home design.

For all the var­ied inter­ests he pur­sued and influ­ences he absorbed, Wright did stick to cer­tain philo­soph­i­cal prin­ci­ples, some of which Archi­tec­tur­al Digest has traced in its videos. Using three dif­fer­ent hous­es, the one just above illu­mi­nates per­haps Wright’s sin­gle most impor­tant guid­ing idea: “A home, he believed, should not be placed upon the land, but grow from it, nat­ur­al, inten­tion­al, and insep­a­ra­ble from the envi­ron­ment around it.” As his archi­tec­ture evolved, he increas­ing­ly “treat­ed the land­scape not as a back­drop, but as a col­lab­o­ra­tor,” cre­at­ing “spaces that invite the out­side in and express the essen­tial prin­ci­ples of organ­ic archi­tec­ture.” Wright’s hous­es can thus be stun­ning in a way we might’ve only thought pos­si­ble in a nat­ur­al land­scape — and, as gen­er­a­tions of buy­ers have found out by now, just as unruly and demand­ing as any pure­ly organ­ic cul­ti­va­tion.


Relat­ed con­tent:

Frank Lloyd Wright: America’s Great­est Archi­tect? — A Free Stream­ing Doc­u­men­tary

A Med­i­ta­tive Tour of Falling­wa­ter, Frank Lloyd Wright’s Archi­tec­tur­al Mas­ter­piece

What Frank Lloyd Wright’s Unusu­al Win­dows Tell Us About His Archi­tec­tur­al Genius

That Far Cor­ner: Frank Lloyd Wright in Los Ange­les — A Free Online Doc­u­men­tary

A Vir­tu­al Tour of Frank Lloyd Wright’s Lost Japan­ese Mas­ter­piece, the Impe­r­i­al Hotel in Tokyo

Frank Lloyd Wright Designs an Urban Utopia: See His Hand-Drawn Sketch­es of Broad­acre City (1932)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.



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